Music Theory Comprehensive, Part 6: SATB Composition

WHAT YOU ARE GOING TO LEARN

Welcome to the World of Music Theory. Don’t Worry – It’s Going to be Ok.

My approach to music theory is to minimize the memorization. Most of these concepts you can learn by just understanding why chords behave in certain ways. Once you understand those concepts, you can find any scale, key, or chord that exists. Even invent your own. If you’ve tried to learn music theory before, or if you are just starting out – this series of courses is the perfect fit.

This class is Part 1. In it we will focus on how to read music, and the symbols we use to notate music.

It begins what would be the first semester of a college music theory class (according to the typical American academic system for learning music theory).

Here is a list of some of the topics we will cover:

  • My approach to Music Theory
  • Tools of Counterpoint
  • Types of Motion in Counterpoint
  • 18th Century Counterpoint
  • Chordal Dissonance
  • Cadences in Bass/Melody Accompaniment
  • Cadences in 4-Voice Accompaniment
  • Non-Chord Tones in 4-Voice Accompaniment
  • Suspensions in 4-Voice Accompaniment
  • Example Analysis Projects
  • Writing 4-Voice (SATB) Lines
  • SATB Notation
  • SATB Ranges
  • Voice Crossings
  • Doubling
  • T-D-T Phrasing
  • Establishing Tonic Areas
  • Establishing Dominant Areas
  • Resolving Leading Tones (in 4-Voice Accompaniment)
  • Harmonic Rhythm
  • Texture (in Song)
  • Worksheets and Music for Practice
  • …and much, much more!
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